StarShipSofa: Slush Update #2

Alright guys, a few updates before the new year.

District of Wonders will be expanding in 2016, big time. <a href=’https://en.wikipedia.org/wiki/Tales_to_Terrify’>Tales to Terrify</a> now has a wikipedia page, we’re very likely going to get more staff on board, get new narrators, etc. We’ll be sharing these narrators, working much more closely together, and a bunch of other projects that we can’t tell you about just yet.

As I said, we’re bringing in more narrators, some of which are actors (!!!). If you would like to narrate for us, send over your info and a sample to our address. You’ll be added it our DoW narrator database across all three podcasts. Let us know if you have any quirks (prefer not to use profanity, don’t like horror, etc) and we’ll save that too.

Onto the stories themselves: all stories up until <b>December 21</b> have been responded to. If you have not received a response, you are in the hold pile. There are some brilliant stories in here. Me and Ralph are finding it hard to let go of them.

But please, do send more stories in. The self-published body horror-avalanche is starting to outweigh the proper stories and that worries us. Please help purge this evil from the slush! I literally got three porn stories are one point (and all of them were boring as hell). Please send your stuff in, or let people know that we’re open.

For what it’s worth, I’m seeing a <i>lot </i>of robot consciousness stories. A lot. I’m a fan of the sub-genre, but it gets hard to pick when I get five in a row.

That’s all for now guys. Let me know if you have any questions or queries. But know that our line up for 2016 is looking very, very sweet indeed.

StarShipSofa: Slush Update #1

A little update for you all.

Me and Ralph are slowly carving our way through the slush. We’ve gotten a pretty high amount so far, and the decisions of what to take and let go off are getting difficult. Ralph is finding it hard to let go of some of these stories, and so am I. Make it harder for us. And for those of you who are following the Grinder, I can tell you now it’s wildly inaccurate in our case. It doesn’t list even half of our rejections. Charlie was right when he said better authors use it. 😉

We’ve responded to everything up until <b>December 16</b>. If you haven’t gotten a response, you are in the second round hole pile. I don’t have a date estimate for a response then, but just know that you’re getting another look.

Also, if any of you guys are interested in narrating stories for District of Wonders (or know people who are interested) send over a sample. We’re looking to expand our narrator pool and diversify it.

Tales to Terrify is looking for more UK male narrators. SSS is looking for more female narrators of any time, but especially UK. We recently got a South African narrator on board, but we’re still searching for others.

That’s it for now! Keep sending those stories in!

So. Star Wars: Midnight screening

(Yes, this post is completely spoiler free.)

starwarsposter

As the title might suggest, I went to the midnight release of Star Wars: The Force Awakens. It released early down here in Australia, 17 hours ahead of the US.

And my verdict?

It was okay.

Actually no. It was world-shattering amazing.

They took everything that makes the Star Wars so unique – the grandness, the mystery, the action, the heroism, the cheeky dialogue – and wrapped in up in a bundle of nostalgia and classic space opera and tied it up with a bow made up of a 21st century cinematic slickness.

They actually pulled it off. They did the impossible.

It was one of the best cinema experiences I’ve ever had. Complete with an atmosphere that loved Star Wars, loved science-fiction.  The audience broke into applause multiple times through the film. The vibe alone was worth it. People cheered, waved their lightsabers, and donned crazy cosplay for a one-time experience. 10 years ago now (has it been that long?) my dad took me to this exact cinema to see Revenge of the Sith when it came out. The experience stuck with me then and this one will stick with me now for a long, long time.

The film itself scrapes perfection. Every scene is so choked full of witty banter, strong character development, rich worldbuilding and slick action that it’s almost like being on a rollercoaster.The visuals themselves are nothing less than stunning. You could take almost every shot from the film and frame it as a painting. It’s concept-art come to life, bursting with liquid colours that oozed out of the screen like crystals.

The experience was almost ruined by the two guys in front of me. The screen was literally sandwiched between their heads (we were sitting upstairs and far back) and it was grating at me. My dad had to get up and stand (his knee was giving him trouble) so I swapped for his seat and all was resolved. But obviously that’s just whining about the rough edges on a very delicious pastry.

One of the film’s greatest strengths, I think, was it’s casting. They took one of the biggest films ever created and put non-American, small time actors in leading roles. People like Daisy Ridley and John Boyega and Adam Driver are barely known in mainstream Hollywood, and putting them in major roles alongside Harrison Ford and Carrie Fisher does no end of good. They put guys like Iko Uwais and Yayan Ruhian from the Raid films (Indonesia action films that likely almost no one in the mainstream has seen, even if they are somewhat popular) on screen in front of what’s probably billions of people. They were focused on bringing in fresh faces and it worked. They could have gone the easy route and made the film stuffed full of an all-star cast, but they did not. They took a risk and put non-American, foreign actors on the front cover of what’s probably the biggest film this side of the decade. There’s going to be some new household names very soon, and it’s marvelous that Star Wars gave these actors the opportunity.

And as someone who works in media and arts, I know how hard it is to try and get noticed. It’s not easy for Americans, and it’s five times as hard for anyone who doesn’t live in the States, or an English speaking country. I can only imagine how people like Iko Uwais felt when they learned they were going to be in a Star Wars movie.

Two hours passed in minutes. There’s no flak, no stupid politics, no dry dialogue, no inane bumbling characters. There’s just a world as rich and diverse and delicious as you like, full of characters we want to travel to the edges of the universe with. And I have no doubt that’s exactly what the future films will continue to do. It’s an achievement in writing, in visuals, in pacing, and plain ol’ cinematic goodness.

But now? It’s edging towards 4am and it’s time for me to go to sleep.

But suffice to say: get off your arse and go see it. No, you don’t have an excuse. Just do it.

2nd story publication at Nature

My second story from Nature, System Reboot, launched recently over at their website!

It’s my most experimental piece, and my first published story in present tense. I don’t usually write in it, but in this case I felt that the story demanded it and I think it turned out pretty well. Colin must have felt so as well, because it’s doing pretty well. I’ve had quite a number of people talk about it online, and government scientists and professors of AI neuropsychology have been tweeting about it. I was blown away by that (and I think my head is still reeling).

And the artwork….

They really do not skip out on the artwork at all.

I wrote about my inspiration for the piece and a bit of background here, so check that out if you want. And if you prefer the pdf version of the story, that’s available here as well.

Enjoy reading!

 

Also, in other news, my other Nature story, Daega’s Test, will be appearing as a reprinted and translated into Polish over at Szortal. This will be my first story translation, so that’s marvelous. I’ve got a bunch of Polish family members and friends who don’t speak English well (if at all), so now they’ll have no excuse but to read it! I’ll post when it’s up!

’til then…

StarShipSofa: Call for Assistant and Slush Reader

The title says it all. I am looking for an intern to assist me out at the Hugo award winning podcast StarShipSofa. Far Fetched Fables has one. Tales to Terrify has one. We’ve got a spare passenger seat at StarShipSofa HQ and it’s time for someone to fill it.

I’ve edited this podcast for over a year now, (I did it through my final year of university, mind you) and I love it. I don’t ever want to leave. But it’s not an easy task, and I need some assistance, both with StarShipSofa as a whole and as a slush reader. The latter is particularly important, as I got hundreds of submissions last time we opened, and I read them all by myself and offered personal feedback on most. Not easy to do, and the weight of it all burned me out. So I’m on the hunt for someone to be both my intern over at StarShipSofa and a slush reader. As an intern, you’ll help me do the following:

  • Working with dozens of best selling authors in the vein of George R. R. Martin, Neil Gaiman, Peter Watts, Robin Hobb, etc…
  • Sending stories by these said authors to narrators.
  • Handling bios, story files, etc.
  • Finding new narrators to be part of our awesome team.
  • Reading slush (when the time comes).
  • Work on one of the biggest science-fiction podcasts in fandom today.

It might sound a lot of work, but I won’t be stepping back at all – I just need someone to help me streamline all this data and help me organize it all. There’s no “minimum” required hours, but 3-4 hours per week would definitely be a good number. This is also an unpaid, volunteer position.

It’s important to note that while this is open to everyone, I’m particularly looking for someone who’s has experience in the SF/F short story industry. Someone who knows the markets and knows short stories. I’m especially interested if you have read slush before, and even more interested if you’ve worked on a podcast previously. If not, then I’d like to hear from you anyway.

If you’re interested, shoot me an email over at jeremyszalsubmissions@gmail.com. The subject line should read: “StarShipSofa Assistant Query” followed by your last name. Tell me who you are, your experience, what genres you like, your favourite authors, publication credits (if any) etc, etc. The more detailed the better.

I’ll contact you if I’m interested and we’ll go from there. Let me know if you have any questions.

Looking forward to hearing from you!

-Jeremy

University’s over forever

My brain’s fried and I can’t think of a good blog title now, so bear with me.

The gist of it is this: today, my 3 year stay at the University of New South Wales has come to a close. All the assignments have been submitted, all the readings done, all the presentations completed…everything.

And you what? It’s a pretty good feeling.

I’m not going to pretend I didn’t enjoy love parts of it. I had a hell lot of fun, made a lot of friends, learned critical thinking and knowledge that I couldn’t get anywhere else. Other than my Film Studies and Creative Writing major, I also did two subjects of Sociology, two subjects of Physics and astronomy, and one of modern history. Not everyone gets to say they studied (and passed!) advanced astrophysics at university level. I loved my lectures and I wouldn’t trade the experience for anything.

But all good things must come to an end.

While I did enjoy my stay there, and I do enjoy the process of studying, it’s a very draining experience. There’s always something due. Always another presentation coming up, always another book to finish, always another draft to go over, always another reading to do, always another-

It does your head in after a while. It really does.

And I’ve never let university stop me from writing and submitting work: it’s what I went there in the first place to do. Over the latter two years (I’m not counting the first) I had more than fourty-five (and counting) short stories, articles and reviews published, everywhere from Strange Horizons to Nature. And that’s just the stuff that’s been accepted and published. And that doesn’t include the 50+ episodes of StarShipSofa that I solicited, produced and organized.

Writing’s hard, man.

For the content of the courses, the majority were good, and there were some that were invaluable to me as a writer (and film producer!). When I get that book deal, my teachers are being thanked in the credits, that much I promised them. But there was one creative writing class that was the equivalent of the world’s worst sewers being funneled down to a single mammoth-sized container, and then exploding that container wide open. I think I’ve gotten PTSD from that class. The lessons being taught were so absurd, so wildly impractical and against every fundamental writing rule ever (give your character agency, write in a clear prose, keep your audience in mind, don’t use passive voice, etc, etc) that I shut myself out and resigned to going over those copy-edits that Nature wanted back. It was completely divorced from the realities of contemporary publishing and literature. There was a strong whiff of nepotism in it, too.

The thing I learned in that class was what exactly not to do if I actually ever wanted to be published outside a coffee-chain owned vanity press. And I’m not even going to go into how any type of genre fiction, regardless of it’s quality, was treated….

But anyway, that’s behind me. I’m looking past that all.

As I say, I’m gonna miss it. There’s a vibe to being on campus, a sort of exuberance that you don’t get anywhere else in the world. And it was awesome while it lasted, but it’s over now. No more essays, no more presentations, no more sodding 3500 thesis to submit in a matter of days. No more of that.

So what’s next?

Writing. A lot of it. I’m going to be scribbling down some more short stories and get around to finishing my novel. There’s also a ton of work to be done on StarShipSofa. Great things are coming to it, and I can’t wait to see the reaction. And of course, I’ll need to get that job sooner or later. I did actually go to university for a reason, after all!

But right now, I’m just enjoying my newly discovered freedom.

If you need me, I’ll be over at the bar.

Over and out.

 

How Not To Treat Editors (and people!): A Documentary

At some point, you are going to clash with people.

This shouldn’t come as a surprise to anyone who’s part of the human race. People will disagree with each other over everything from the merit of a hipster coffee blend to the superiority of political stances. This is completely fine. I’ve disagreed with countless people in my time, spanning best friends to complete strangers on the interwebz. Again, this is perfectly fine, and it’s always good to be exposed to alternative ideas and opinions, if only to reaffirm your own. Not everyone has to like what everyone else likes. Ain’t nothing wrong with it.

…except when it gets ugly.

To put it in perspective, I’ll sketch an example: a month or so ago I had a submission for StarShipSofa (they didn’t follow the guidelines at all, but that’s irrelevant). I politely declined, saying the story just didn’t work for me and thanking them for the chance to see it.

Oh boy. Big, big mistake, mister Szal.

In response I got a faceful of acidic spite, this individual telling me how I “had no idea what I was talking about”, that I was stupid and shouldn’t have been on the internet, let alone editing a podcast if my tastes were so out of whack. Then came some very personal insults that showed clear evidence of prior thought. This was all accompanied by a selection of very specific four letter words in the vein of Goodfellas. I am not the first editor to receive responses like this, nor will I be the last. I can’t even imagine the amount of acid that has crawled into the inboxes of other more experienced editors, especially the sexist kind that female editors get. And this is just what we actually see.

But as for this individual, the gates are locked and the key is thrown down a bottomless well. Their name is branded into my brain. I wish them the very best with their writing endeavors, but I am completely certain that this person is not ever welcome at StarShipSofa.

People say stupid stuff. People do stupid stuff. We’ve all been there, we’ve all had a few too many drinks and taken a few too many hallucinogenic mushrooms of the alien kind and proceed to do something we regret when the sun rises. People have rough days. I understand that. But it was crystal clear that this individual had absolutely zero respect for me as a human being, and had zero respect for the podcast. With extremely rare exceptions everyone has treated me with respect on either side of the submissions fence, or in writing communities in general. But not this person.

It’s very, very difficult to offend me. I have skin that would make a komodo dragon jealous. But if anyone can’t muster up the energy to treat me like a human being, then I’m in no hurry to associate with them, on StarShipSofa or otherwise. It’s toxic, and I really don’t have the energy to combat it. People will scream at your from the sidelines. People will always make it their god-given duty to stick their nose into your business and pull you apart. People will wait for you to fail, for you to be humiliated, for you to give up. I’ve had it, and so have much better writers than me. I’ve had people laugh at me for spending time with a “retarded podcast” (yep, that’s the word). I’ve had folks twice, three times my age talk down to me and my efforts simply because they can. But you squash it down and you carry on with your head held high.

A while back I had someone (let’s call them Strawman1™) tell me that being a pleasant person was a subjective, ambiguous act. It’s a very interesting theory, but holds absolutely no water in the real world. Ask anyone with a shred of experience in customer services. Showing respect to someone as a human being takes no effort and doesn’t cost a cent. Going out of your way to belittle them? That takes concentrated time and effort. That age old rule we all used to roll our eyes at as kids? Treat people the way you want to be treated. It still applies and always will. I’ll get off my high horse now.

The moral of this story? I’m not sure. I will say that it’s enough in the writing world as it is without us trying to tear us apart. So make up for it. Subscribe to a magazine. Write a review for a book you enjoyed on Amazon. Write fanmail to an author. Listen to a podcast. Make it a little easier for our great community, yeah?

 

Fragmented: The Audio Podcast

It’s always great to hear how enthusiastic authors are with what we and narrators do with their work. It’s hard to know who’s listening sometimes, and feedback like this is fantastic.
Make sure you check the story out! It’s one of my favourites so far on the show.

Andrew's avatarAndrew Liptak

Untitled

My short story ‘Fragmented’ is now available as an audio podcast! Earlier this year, StarShipSofa opened up for submissions and I submitted it. A day later, I got an enthusiastic e-mail back from them saying that it blew them away, and that they’d love to publish it – that was a nice boost.

Here’s a bit of background on the origins of the story.

The story is narrated by Mikael Naramore, who did an incredible job bringing the story to life. Here’s his bio:

Mikael Naramore has worked in the audiobook industry since 2001 when, fresh out of college, he was hired as a recording engineer for publisher Brilliance Audio (now Brilliance Publishing, subsidiary of Amazon.com). Over time, he transitioned to Director, all the while absorbing technique and nuance from the best actors in the business. To date, Mikael has narrated well over 100 titles, under his own and…

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