2015: A year in review

Wait, what just flew by me?

Oh wait, that was 2015. Well, that went pretty quick didn’t it?

Looks like I’m going to have to do another one of these.

A lot of stuff happened in 2015. But to get it out of the way, I finished university. This one isa big of a mixed bag. I enjoyed my studies there and the numerous ways in which we were taught to approach subjects like criticism, deduction and scientific research. I loved meeting up with my friends everyday and making plans to do something weird.

One of the weirdest (that I can actually mention here) was in our film class, where we were set to watch the film Taxi Driver. We were ravenous, so we did what one naturally does and trooped along to Subway and ordered two entire cookie platters. Because reasons. Obviously we couldn’t finish it. So we took it into the film threatre and passed it around in the dark. It one point I believe someone started using it as a frisbee, scattering cookies and crumbs over us while Robert De Niro coasts around NYC with a bad haircut and sub nose revolver. Again, not mind-blowing stuff, but that’s all your getting from me. Other less interesting stuff was when a moron posted on 4chan that he would shoot up the university for kicks. Obviously nothing happened, but we could have done without the scare.

So yes, I had a good time there. But it was time to leave. Some classes were nothing more than pointless filler, or in some cases based on the teacher’s agenda – something that went to higher authorities more than one. Other times I just did not feel I was being taught anything practical, especially in creating writing. Some classes were incredible, others less so. There’s only so long you can take people seriously when you’re sitting in a lecture hall listening to someone ramble on about document/collage poetry when you’re signing contracts for Nature and Macmillan to purchase your work.

But I digress. Essentially: university was good and I enjoyed it in many ways, but it was holding me back in many ways as well. Time to move on.

For my own writing, I sold eight pieces of original fiction, all of which were semipro or higher and two of which were to Nature/Macmillan. I still pinch myself when I see the Macmillan publishers logo stamped beneath my stories. One of them, Daega’s Test, is currently being translated into Polish by Szortal. I also managed to reach the position of Finalist in the prestigious Writers of the Future contest Q3. I did not make the top three, but I will know within a week or two if I am the Published Finalist. Here’s hoping.

I also sold 13 reviews and essays, 4 of which have not yet been written as of yet, but are secured. 3 of them are to Strange Horizons, which is awesome. They published my review of Predestination back in January and I am still immensely grateful. And currently I am writing the official review for Star Wars: The Force Awakens for them. Not feeling the pressure at all.

The other significant essay was to legendary John Joseph Adams over at Lightspeed slash Nightmare. I’m going to be part of the People of Colour Destory Science-Fiction anthology, launching in June 2016 in paperback. It was a difficult essay to write and while I’ve never been one to shy away from speaking my mind, I had to dredge up some old childhood memories that I’d rather not talk about too often. But it was important and relevant and I decided to do it, and I’m going to be proud of it when the anthology launches with over 100+ other authors. I’m excited to see the line-up, very much so, but I’m even more excited to finally sell to John Joseph Adams and be published in Lightspeed, something I’ve been trying to do for 2 years now, which is 1/10 of my life.

I sent my YA SF novel out to do the rounds. It got an overwhelmingly good response. I think I scooped up around 14 fulls and 12 partials from major, major agents. I got essay-long rejection letters from some the most highly respected agents in NYC. But no, it’s a pass. I was guttered at first and beat myself up about it. But I told myself to shut up, learn from my mistakes and come back with a better novel.

And that’s exactly what I’m doing. I’m 65k into it now, and I’ve got the end in sight. The bones for my next project are slowly brewing, and it’s one I’m really excited about. And that’s primarily what I’m planning to do: focus on writing those novels first and foremost. I will always write short stories, always. But I came into this industry to be a novelist, to have an agent and to be sitting on those shiny shelves in those shiny bookstores. And that’s something you earn. And to do that, you need actual novels. I’m planning to sit down and outline my next novel and then go, full speed ahead. No side-stepping, no distractions, nothing. Hopefully when two months have passed I’ll have a novel. This last one took a whole year (and it’s not finished yet) because of university. I’m not letting that stop me again.

Now. To StarShipSofa.

We had an incredible year at the District of Wonders. SSS and Tales to Terrify alone managed to get over one million downloads. One million. And I worked on every single one of them.

I had the opportunity to work with and produce fiction by authors such as George R. R. Martin, William Gibson, Kim Stanley Robinson, Allen Steele, Robin Hobb, and dozens of others people who are gods in the literary world (if you told me two years ago that one day I would produce audio fiction by the creator of Game of Thrones I’d have laughed in your face). I was able to interview Ellen Datlow, Joe Abercrombie, and a whole range of other editors and publishers. I read hundreds of stories in the slush and picked out and produced audio adaptations of the ones I thought were truly the best. And it was truly an honour and a privilege to helm one of the biggest SF podcasts in the galaxy. And I will continue to be doing it for a long, long time to come.

We will be making changes over at District of Wonders. We’ve acquired two new staff members for SSS, including my intern and assistant Ralph Ambrose (who is incredible – I’d be dead in the water without him). We’ll be uping our game. More narrators, more diversity in narrators, more content, more cool features, more special issues. We’ve already got one narrator locked in who’s acted in major films opposite the likes of Ellen Page, Woody Harrellson, Cilian Murphy and others. We’ve lined up an incredible story by a major author who’s had a film adaptation by one of the most respected director’s today. We’ve got…okay, okay, I’ll stop. All I’ll say is: District of Wonders is upping their game and working much, much more closely together. Expect amazing things in 2016.

Well, that’s it. It’s been a gigantic year for me, both as a writer and an individual. I don’t know what’ll happen next year (which starts in an hour’s time for me), but all I know is that I’ve got my sights set on writing a killer novel that’ll snap up an agent. It’s something I have to earn, and I’m willing to do just that. Failing that, I want to win Writers of the Future, something I consider to be likely in the very near future. But it’s impossible to tell.

I’m going to sign off, but first let me say to the hundreds and hundreds of authors, narrators, publishers, actors, writers, editors, friends and fans I’ve met in 2015, it’s been an honour to know and have worked with you in 2015. Truly, it has. And hopefully I’ll continue to do that in 2016. And maybe, I just might meet you in person.

But that’s another story.

Signing off,

Jeremy Szal

 

So. Star Wars: Midnight screening

(Yes, this post is completely spoiler free.)

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As the title might suggest, I went to the midnight release of Star Wars: The Force Awakens. It released early down here in Australia, 17 hours ahead of the US.

And my verdict?

It was okay.

Actually no. It was world-shattering amazing.

They took everything that makes the Star Wars so unique – the grandness, the mystery, the action, the heroism, the cheeky dialogue – and wrapped in up in a bundle of nostalgia and classic space opera and tied it up with a bow made up of a 21st century cinematic slickness.

They actually pulled it off. They did the impossible.

It was one of the best cinema experiences I’ve ever had. Complete with an atmosphere that loved Star Wars, loved science-fiction.  The audience broke into applause multiple times through the film. The vibe alone was worth it. People cheered, waved their lightsabers, and donned crazy cosplay for a one-time experience. 10 years ago now (has it been that long?) my dad took me to this exact cinema to see Revenge of the Sith when it came out. The experience stuck with me then and this one will stick with me now for a long, long time.

The film itself scrapes perfection. Every scene is so choked full of witty banter, strong character development, rich worldbuilding and slick action that it’s almost like being on a rollercoaster.The visuals themselves are nothing less than stunning. You could take almost every shot from the film and frame it as a painting. It’s concept-art come to life, bursting with liquid colours that oozed out of the screen like crystals.

The experience was almost ruined by the two guys in front of me. The screen was literally sandwiched between their heads (we were sitting upstairs and far back) and it was grating at me. My dad had to get up and stand (his knee was giving him trouble) so I swapped for his seat and all was resolved. But obviously that’s just whining about the rough edges on a very delicious pastry.

One of the film’s greatest strengths, I think, was it’s casting. They took one of the biggest films ever created and put non-American, small time actors in leading roles. People like Daisy Ridley and John Boyega and Adam Driver are barely known in mainstream Hollywood, and putting them in major roles alongside Harrison Ford and Carrie Fisher does no end of good. They put guys like Iko Uwais and Yayan Ruhian from the Raid films (Indonesia action films that likely almost no one in the mainstream has seen, even if they are somewhat popular) on screen in front of what’s probably billions of people. They were focused on bringing in fresh faces and it worked. They could have gone the easy route and made the film stuffed full of an all-star cast, but they did not. They took a risk and put non-American, foreign actors on the front cover of what’s probably the biggest film this side of the decade. There’s going to be some new household names very soon, and it’s marvelous that Star Wars gave these actors the opportunity.

And as someone who works in media and arts, I know how hard it is to try and get noticed. It’s not easy for Americans, and it’s five times as hard for anyone who doesn’t live in the States, or an English speaking country. I can only imagine how people like Iko Uwais felt when they learned they were going to be in a Star Wars movie.

Two hours passed in minutes. There’s no flak, no stupid politics, no dry dialogue, no inane bumbling characters. There’s just a world as rich and diverse and delicious as you like, full of characters we want to travel to the edges of the universe with. And I have no doubt that’s exactly what the future films will continue to do. It’s an achievement in writing, in visuals, in pacing, and plain ol’ cinematic goodness.

But now? It’s edging towards 4am and it’s time for me to go to sleep.

But suffice to say: get off your arse and go see it. No, you don’t have an excuse. Just do it.

StarShipSofa: Final Slush Update

Hello everyone,

The slush is done. It’s done. It’s over. And now I know how Frodo felt after throwing the ring into Mt. Doom.

I’ve been so ridiculously busy. Over the course of the submissions I’ve suffered two illnesses, traveled around the globe and back, and a bunch of other personal issues that I’d rather not discuss publicly. On top of that I’m in my final semester of university, and I’ve barely had a second to myself. But you guys all understood and gave me your unending patience, and for that I am grateful. I’ll definitely be looking at getting both an intern for StarShipSofa permanently and a few slush readers to help me out. But right now, I’m so busy that I don’t have the time to hunt down an assistant to help me out because I’m so busy. If that’s not a paradox, I don’t know what is.

It’s been an incredible experience for me, not as just as an editor, but a writer as well. I’ve never really been on the other side on the coin, as they say, in terms of submissions and shifting through slush. But the experience was worth it.

There have been stories I absolutely hated letting go off. There were some that I wrestled with for days and days, completely unsure of what to do. Damn, do you people write fantastic stories. I hated myself for saying no, and writing that letter came with a heavy heart. But the decisions have been made and the acceptances and rejections have been sent off.

For those of you who got acceptances, I’d have given you my personal email address. If you haven’t already, please send your story file and your bio (pasted in the email) over to it. Do not try to reach me via the submissions email – that’s purely for reading slush.

StarShipSofa will absolutely be reopening to submissions. When? I don’t know. I definitely need to graduate from university first, and we’ve got a lot of stuff to sort out over at StarShipSofa. When I get a second I’ll be writing more detailed blog posts about my experience doing slush and the common pitfalls, what to avoid, etc, etc. And if I rejected you, don’t give up. Drag yourself back up and shoot me a story that kicks me in the gut (not literally) and one that I cannot say no to. But more on that later.

It’s been an absolute blast to read your excellent stories, and it’s going to be even more fun working with you all and seeing what the final production looks like. I’ve heard some of them already and they’re excellent. I’m hoping you guys will be as proud of them as I am.

Until then, thank you all so much. And never, ever, ever give up.

Jeremy

StarShipSofa: Submissions and Slush Update

Hey guys,

Just an update for you in regards to StarShipSofa’s submissions. I’m so sorry that it’s taking so long – I got far many more submissions than I could possibly have expected, many of which were in the 8k+ and upwards length. Additionally, I became very ill at one point and couldn’t muster the strength to sit up in bed, let alone read slush. And now that I’m back at university, things are more hectic than ever. I’m starting to read submissions during my lunch breaks between classes, it’s the only way I can keep up.

But enough excuses. At this point, I’ve read and responded to everything up to June 23. If you haven’t heard back from me at this point, I’ve put your story in the 2nd round and I’ll be holding onto it before making a final decision. And good lord, you guys have made those decisions hard as hell. Seriously, there have been some pieces I’ve found so hard to let go, but ultimately had to. This is both a good and bad thing, as it means I can take the crème de la crème, but also makes it very difficult to send that rejection. But if I took everything that I wanted to, StarShipSofa would be backlogged for years. Several years. Yes, I got that many submissions. You guys are awesome.

Also, just so you know I always personalize my rejections, and I try to give some feedback as to why I had to say no. And if I asked you to submit next time we’re open, I definitely mean it.

I’ll keep reading as fast as I can. If I haven’t gotten back to you that means you’re still under serious consideration. Please be patient, and thanks again for sending me your work.

– Jeremy

StarShipSofa Submission: Closed and Submissions Update

Hey everyone,

So now submissions for StarShipSofa are closed. Please do not send me any further submissions, and any sent will be deleted unread. I hate having to do this, so please don’t make me do it.

But anyway, thank you so much to everyone who submitted. I’m not going to disclose how many I got, but let’s just say that I received enough stories to last StarShipSofa for several years. Several, several years, in fact. So obviously this means I’ve got a massive wealth of stories to choose from and I’m looking forward to it.

But it’s going to take some time. More than I anticipated.

By my count, I got at least twenty stories of the novella-ish length. That’s around 15-20k of words each, multiplied by twenty. That’s easily the size of one of the longer A Song of Ice and Fire books, and that doesn’t include the other submissions, many of which are pretty damn long in their own right. But I’m not complaining: I asked for long submissions and I got ’em. But it’s going to take some time to read through them all.

Am I going to finish all these beasts? No. But I will definitely read for as long as I can, as a writer myself I know that the ending can make or break a story, and I’m not one to read a couple of paragraphs and instantly smash the big ol’ red reject button. But there does come a point when I’m prettttty sure I’m not going to pick this story up. But a lot of the time I can’t justify an answer unless I’ve gotten to the end, or near it. So please, be patient with me and I’ll have an answer for you sooner or later.

That’s it for now. Thank you all again for allowing me to consider your stories.

– Jeremy Szal

StarShipSofa Submissions: An update

This is my first time reading slush, and it’s lovely to see all the fantastic submissions pouring in. And ¡Ay, caramba!, I’ve come across some ripping stories. It’s an absolute joy to see this talent blooming, by both new authors and established authors alike.

I’ve already sent out a handful of acceptances, as well as a few rejections. Sending a rejection sucks just as much as receiving one, and I always try to pin-point what I personally didn’t like about the submission, or my reason for rejecting it. Remember, it’s just my opinion, and someone’s already picked it up, so you’re already on the right track.

But please, do remember to follow the guidelines. I’ve had a few submissions where the original publication venue is not listed, it’s addressed to “dear editor(s)” (despite the fact that my name is on the email address itself, and last time I checked I don’t have a double, as much as I’d like one). The latter I can forgive, but the former I cannot. I need to know if it was self-published by a vanity press, or if Ellen Datlow picked it up for her Tor anthology. It makes a big difference, and I will not read the work unless you follow these guidelines. Yes, it sucks, but I don’t have the time to trace its origin when I’ve got another 50 submissions from people who did follow the guidelines. It’s not fair on anyone. But overall I’ve had nothing but fantastic work and marvelous people, so keep that up.

This is the way I sort out the submissions. When the stories come in, I read from the earliest sent. I keep reading, and sometimes I’ll know immediately that this is a story I cannot let go, and I’ll email over the acceptance. Other times I’ll sadly have to send over a rejection immediately, as the story is not what I’m looking for. But most of the time, I’ll read the story and like it, and move it to the “Maybe/further consideration pile”. This means your story has a fighting chance, but I need to weigh it up amoungst the other submissions in the pile and decide against those merits. So basically, if you haven’t heard from me, you’ve moved to the maybe pile. The longer I hold on, the better. And I’m getting a lot of submissions, sometimes clocking it at 18,000 words, and for the most part can’t justify a response unless I’ve gotten to the end.

So, that’s it from Szal towers for now. Keep those submissions rollin’ and I’ll have an answer for you…sooner or later.

– Jeremy Szal

Something VERY, VERY big coming to StarShipSofa

So, me and Tony have been teasing this one out over the last couple of weeks. Something MASSIVE will be docking at the StarShipSofa. What, may you ask? That, I cannot say. However, I can tell you that it includes one of the biggest and coolest authors of modern SF/F today. It was bloody hard even reaching out to them, and negotiating was akin to walking on a tightrope made out of dental floss.

But I managed to secure a story from them, and I’m over the moon, man. And so is Tony, believe me. And our narrator, Nick Camm did a cracking job of the story. He always does, but he put everything he had into it.

And I can also tell you that getting the green light was only half the deal. Getting hold of the story was another matter entirely. It was extremely unconventional, and all four of us, (that being me, Tony, Nick and the author in question) had to work hard to get it done. But now it’s complete and I’m super stoked to hear the response.

Come on, tell us, I can hear you whining. Nope. Sorry, no go. Approximately only five or six people are aware of what’s coming, and we plan to keep it that way. Yes, it really is that big. I can guarantee with my life that you know this author and the work that they’ve done. But my lips are sealed.

Look out for it on Wednesday! June 3rd will be the day!

Until then…..

Jeremy

New Anthologies and artwork

So, it’s been a busy few weeks for me. With university trying to drive me mad (only a few weeks left thankfully) and meeting writing deadlines, I haven’t had much chance to enjoy my completed work. I did go to the EB Expo herein Sydney on Saturday (and that was great) but otherwise I haven’t had many chances to sit back and see the fruits of my labour. Until now.

I was browsing the iTunes page of The New Accelerator. I have a reprint in their second issue. Anyway, I saw this:

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Marvelous.

Honestly, I was just stunned by how good it was. I’ve seen some pretty horrendous artwork. The sort that makes you realize that we as humans have already lost. And people pay a lot of money for it. Your book will be judged by your cover, and so I was thrilled to be getting something this awesome. And they were paying me to be in the anthology! Honestly, I’d have paid for artwork like this.

There’s the proper file (without my name) here:

Amd a-dome-of-chromeAnd I adore the planets and moon in the background, as well as the climbable trees and cluster of domes. I won’t lie when I say that I had a very different image in my mind when I wrote the story, but this is damned good and I’m loving it. When people read your work carefully enough so that they adsorb the details (like the trees and opaque domes) you know you’re onto a great thing.

The actual issue isn’t available yet, but you can subscribe to them through the iStore and read it on any iOs device here.

And the cover art for the Issues themselves are incredible (note this is just a trial issue, hence the lack of many names).issue0cover

But that’s not all.

I sent a story to Bards and Sages Quarterly back in January. I didn’t expect to get accepted. They’re a print magazine after all. But I did, and this is the cover art:

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I’ll admit, it’s not groundbreaking, but again, I didn’t pay for it and I was surprised to get in, considering how big it is (they even have a Wikipedia page). It’ll be in print soon, but an e-copy is available right here in any format you like.

So, that’s it for now. I’m over the moon at the fantastic art for A Dome of Chrome, and I’m also looking forward to holding the print anthology of Bards and Sages in my hands.

 

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