StarShipSofa: Slush Submission Update and Episode 400 Special

So I’ve been slowly, slowly hacking my way through the slush pile of StarShipSofa. It’s a process that simultaneously fun and wondrous, but daunting and difficult. I love being able to see what other people have written and nothing can compare to finding that diamond in the rough and knowing you have to take it, shooting off an acceptance and getting an excited email back filled with thank yous and how they can’t wait to see the finished product.

But.

But it’s also very hard to let go off some of these stories. Very, very hard. But unfortunately that’s part of the process and it has to be done. And there’s always another story for you to send.

Okay, enough of the petty sentiments: At this point, I have read and responded to everything up until July 3. If you haven’t heard back, you are currently in the 2nd round. I will not be tackling this until I finish the rest of the slush, as there was a barrage of last-minute submissions. I’ll let you know as soon as I can.

The other major thing? That would be the very special episode 400 of StarShipSofa. We’ve got a groundbreaking author lined up, one responsible for making SF/F what it is today. This author is without question of the most popular and well known writers in and outside genre. A pillar of contemporary literature. StarShipSofa has been graced with the mammoths that are George R. R. Martin, Neil Gaiman, Gene Wolfe, Michael Moorcock, Lisa Tuttle, Kim Stanley Robinson, and now this author.

Who is it?

You’re going to have to find out yourself. It’s taken months of planning, but it’s nearly here. And I can’t wait to see what you think.

Special Announcement…

It would seem that something quite major has just happened. Actually, major is an understatement. It’s pretty big.

I’m now an Assistant Editor at StarShipSofa.

I’ve been an avid listener of them in the past, so it’s an honour and a privilege to be working with them. They’ve won the Hugo Award, (which is essentially Best Picture at the Oscars but for literature. Except the Hugo is for the cool kids.)

Suffice to say that it’s going to be a fantastic experience, working with authors, writers, editors and fellow nerds alike. You know you’re onto a good thing when the people running the joint rival your enthusiasm for fantastic science fiction. And believe me, that’s not something that’s easy to do. Not at all. And I’m not sorry in the slightest.

I’ll be getting an interview sometime in the near future, which will likely consist of me stuttering awkwardly and droning on endlessly.

But either way, check the website out. It’s a fantastic place for writers, authors, readers and fans alike, and not just because I’m going to be lurking in the shadows. Just look at this gorgeous artwork:

 

Come on, just how awesome is that?

If you have a favourite story that you’d like to hear podcasted, give me a buzz. I’m looking for fresh new talent, brilliant classics, and the big players out there. If it’s good, I’m interested. Send me the loudest, pulpiest, most daring, and viciously excellent stuff you know of. You know, the stuff that your mother, Harold Bloom and your teachers told you not to read. Send me Space Opera, cyberpunk, steampunk, dieselpunk, hard SF, post-apocalyptic, military SF, time-travel, alternate history, science-fantasy, silpstream, dystopian SF, biopunk, golden age SF, adventure SF…the possibilities are endless. I couldn’t list all the possible combinations and genre styles if I typed for the rest of my life.

But no fantasy and no horror. And definitely nothing “realistic”, literary or serious. The sort of stuff that literary critics would find “profound” and call existential . We don’t want that stuff. At all. Keep far away, shredded into a million pieces, locked in a box of onyx and launched into a black hole on the far outer edges of space.

But it’s a little harder to distinguish between speculative fiction genres, especially as most short stories tend to be hybrids. If you’re uncertain, tell me about it anyway. But if it’s along the lines of medieval Europe, urban fantasy, etc, then I’m sorry to say we don’t want it. Again, genres do cross over (Edgar Rice Burroughs’ John Carter novels, and even to a degree Mark Lawrence’s The Broken Empire are examples), but strictly fantasy or horror ain’t what we’re looking for. They’re fantastic writers, but we’re after science fiction. Tell us about the dystopian futures, alien invasions, galaxy-spanning space operas, hiveminds, cyborgs and everything in between.

You can tweet me at @JeremySzal or just use the Contact Me form.

It’s going to be wild ride. Welcome aboard, good citizens, and enjoy the flight.