Tag: podcast

End of Year Wrap Up

Hey folks.
 
That’s it. Another year gone by! Slightly less crazy than the last two, but no less busy.
 
The Common Saga:

2022 was the first year for me not to have a novel published, since Stormblood debuted back in 2020. Blindspace was published on one of the last days of 2021, and due to all the delays with distribution and shipping it (sort of) is a 2022 release.

Blindspace released to solid praise, and the responses from readers have almost unanimously agreed it’s a superior book to Stormblood. It’s much more of a space opera, more diverse in set-piece and world-building, more focused on the whole cast of characters rather than just one. I’m still immensely pleased with it. It only released in the US a few weeks ago, so it’s still picking up readers.

But, for some reason, it’s had very, very few reviews and ratings on Goodreads/Amazon. So, please drop a little review, even if it’s just a sentence, that would be very appreciated. Books, unfortunately, depend on word of mouth (and algorithms, it seems, these days) for success, so every review helps.
 
Stormblood: https://www.amazon.com/Stormblood-Jeremy-Szal/dp/1473227437/

Blindspace: https://www.amazon.com/Blindspace-Jeremy-Szal/dp/1473227488/
 
And on that note, ordering books in for libraries are a fantastic way to support authors without actually spending any money. And in some countries, we even get paid everytime someone borrows our books. You don’t want me to starve, right?




 
Goldsboro:
 
The good folks over at Goldsboro books have informed me that there’s still some of the signed hardback, sprayed edges edition of Blindspace left available. There’s only 250 of them in existence, and once they’re gone, they’re gone forever.
 
You know you want it:
 
https://www.goldsborobooks.com/product/blindspace
 
Wolfskin:

I spent the majority of 2022 focused on nailing down a draft of Wolfskin. It’s a rambling, bloated, monster of a draft, with a dozen missing scenes and a dozen other scenes that need to be gutted/rewritten/reworked, but it exists, and I’m very happy in the big picture.

I’m honestly not optimistic on a 2023 release date, as early 2024 seems more likely, but that’s all up in the air at the moment. My agent is having a look at the (very very) early draft over the holidays, so we’ll see what his thoughts are in January.

But I can promise you: I’ll be putting out all the stops to make sure Vakov’s last (?) adventure is as bad-ass, brutal, emotional, satisfying, intense, and insane as I can possibly make it.
 
Short Fiction/Anthologies

I only had two short stories published in 2022. The first is Mindstrings, published in the anthology Night, Rain, and Neon.

The second is The Black Horse, published in Grimdark Magazine’s stellar anthology The King Must Fall. The anthology has an insane line up of talented authors, and I’m stoked to be amoung them. My novelette is the longest short story I’ve ever written, and is also the first fantasy story I’ve written in almost five years. It also may be my personal favourite of all the short stories I’ve written.

Give the anthology a crack when it releases to the public in a few weeks.

Link:
https://www.grimdarkmagazine.com/announcement-the-king-must-fall-dark-fantasy-anthology-kickstarter/



 
Self-publishing
I dived into the world of self-publishing by releasing Scream in Blue, a novelette set in the world of the Common. It was mainly meant for newsletter subscribers, but it’s been picking up a few sales on Amazon, too.

I’ll be self-publishing more of my work in the future (including, perhaps, a few of my trunk novels, if I have the time).

Scream in Blue link:

 https://www.amazon.com/Scream-Blue-Jeremy-Szal-ebook/dp/B0BM6LFFLK


Conventions:

I attended Supanova Gold Coast and Melbourne in early 2022, which were both new conventions for me. I had a blast at both, and got the chance to meet readers and fans who were actually excited to meet me, which was a great experience (albeit a little intimidating).

I also got to hang out with a few of the actors and writers and artists there, including the wonderful Georgina Haig (who you may know as Elsa from Once Upon a Time, and other shows like Limitless, Archive 81, etc). She ended up grabbing both my books (signed to her, of course), which wasn’t nerve-wracking at all.


 
And then there’s this crazy photo we all did. We’re not usually allowed to share these, but this time we were. You’ll spot folks from *deep breath*  The Book of Boba Fett/Once Were Warriors, Lost/Once Upon A Time, The Lord of the Rings, Spartacus/The Vampire Diaries, Wolf Creek, Mortal Kombat, Power Rangers: Ninja Storm, The Amazing Spider-Man/The Sound of Music/Once Upon A Time… In Hollywood.




 
Upcoming Appearances
 

  • I hope to be attending a Supanova convention sometime in 2023, down here in Australia.
  • I hope to attend a major convention, either in the UK or the US, sometime in 2023.
  • I may be attending WorldCon China in 2023.
  • I will be attending WorldCon Glasgow in 2024

 
 
Finally, I wanted to say thanks to everyone who bought Stormblood and Blindspace, and all the bloggers, book-Tubers, readers, fans, booksellers, and fellow writers, who make it possible for me to continue to do this. Since I was a kid, I’ve wanted to be a published writer and to have my books read by folks around the world. That’s now possible because of your support and help and I couldn’t be more grateful. Thank you so much for letting me do this crazy little thing, and for reading about the wild adventures of Vakov as he charges through his savage little world.
 
Have a safe holiday!
 
Best,
Jeremy Szal

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Virtual event: Blindspace US launch with Mysterious Galaxy

The good folks over at the excellent US-based bookstore Mysterious Galaxy are hosting a virtual event for the US launch of Blindspace. I’ll be chatting with my friend/nemesis Richard Swan, the author of The Justice of Kings. You can attend the event for free, but you have to register.

Come along and watch me and Richard duel verbally to the death. There will be scintillating questions and compelling responses on the subject of all things Stormblood, Blindspace, and science-fiction in general. And, of course, buy a book. All books by me will be signed, because I love you all that much.

Details and links below!

Click here for the event page and to register!

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Blindspace on sale, and US Book launch


So! BLINDSPACE is just $1.99 on eBook for today only! That’s 1 cent for every three pages. If you haven’t grabbed the book yet, now’s the perfect time, because the book has never been cheaper.

Click here, or on the book, to get it!

If you’re in the UK, it’s been discounted to 3.99 quid, which is still a damn good deal for a book that took me three years to write and edit.

Otherwise, the mass market paperback edition of Blindspace has dropped! So if you’ve got the paperback version of Stormblood and you’re wanting to make sure all the book sizes align on the shelf, you can now fulfill that one little desire.



I’m launching Blindspace in the US in late November, courtesy of the fabulous people of the Mysterious Galaxy bookstore.

Joining me to launch the book will be Richard Swan, the author of The Justice of Kings. Event page and details here.

Feel free to heckle us with awkward, tricky questions (although we’ll be free to ignore them or provide ridiculous answers.)

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Translations Destroy Podcasts on StarShipSofa! (Not really)

So. Something’s been brewing behind the scenes at StarShipSofa. Something we’re sure you’ll all be excited about.

But some backstory first.

It goes without saying that all of us at the District of Wonders welcome stories from all over the globe. We’re an international podcast, and naturally interested in finding stories published in another language. With English-speaking (particularly American) stories dominating the market – and understandably so – it can be quite difficult to get work translated from another language into English to reach a wider audience, and even harder to find them once they have. We have authors such as Andrzej Sapkowski and Cixin Liu rising to popularity, but for the vast majority of non-English authors it’s maddeningly hard to shatter that language barrier and find an audience they deserve.

So I’m doing something about that.

Starting soon, StarShipSofa will be playing one whole month’s worth of stories translated from other languages as part of our Translations Month Special. These four stories are diverse in content and sub-genre as they are in country of origin. Ranging from cyberpunk to time travel to transgressive dystopian, our stories come from France, Japan, Russia, and China. The table of contents are below:

 

  • “The Smog Society” by Chen Qiufan, translated by Ken Liu and Carmen Yiling Yan (translated from Chinese).
  • “Sense of Wonder 2.0” by Laurent Queyssi‏, translated by Edward Gauvin (translated from French).
  • “White Curtain” by Pavel Amnuel, translated by Anatoly Belilovsky (translated from Russian).
  • “Violation of the TrueNet Security Act” by Taiyo Fuji, translated by Jim Hubbert (translated from Japanese).

 

Half of these were picked up directly from slush, the other half were procured with assistance from John Joseph Adams and the team at Skyboat Media. A big thank you to them.

This project has been a long time in the making. We’re looking very much to bringing these incredible stories to you, showcasing the international diversity of science-fiction and the different favours that each country specializes in. And of course, we’re always open to broadening our horizons and welcome both more translated stories, and authors and narrators from all territories. But for now, I hope you enjoy what’s on tap this month and all the stories to come.

If you like our stories and the work we’re doing, please consider making a donation on Patreon. Every bit helps to cover our server costs and work towards becoming a paying market. The District of Wonders has adapted and published over a thousand stories over a decade-long period, and with your help we’ll go for another decade yet.  The link is here: https://www.patreon.com/districtofwonders

As always, let us know what you think of this project and the stories on Facebook, Twitter or email. And please, enjoy this special Translations Month, coming soon to your earholes in a podcast near you.

 

 

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Interview over at SF Signal

It’s been a busy week, I’ll tell you that much. I’ve reached 9.6k for my new space opera novel. That’s roughly 1k a day, and will be more if I manage to reach 11k by the end of today. But I want to take the time today to really cement the fundamentals of the world in my head and have that high-concept, ultra-epic coolness that helps the universe stand out from the rest. I’ve literally got a note stapled above my screen that reads “up the weird, add the cool, mix it up”. And that I will do!

But in the meantime I also managed I do an interview over at SF Signal, talking about me, my writing process, my job as an editor, how I managed to get onboard as an editor for a Hugo-winning podcast at the age of 19, etc. If you ever had a burning sensation to know what it was like working with William Gibson, Christopher Priest, Robin Hobb, and George R. R. Martin while Season 5 of Game of Thrones was airing, you can settle that satisfaction right now! It was almost surreal, typing that all up and realising just what we managed to achieve.

Anyway, the interview is here if you want to check it out. Enjoy!

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Bruce Sterling and Christopher Priest on StarShipSofa!

So it’s been a busy two weeks on StarShipSofa. Last week we played a story by one of the godfathers of cyberpunk, Bruce Sterling. He’s known in and outside of the genre slash sci-fi circles, and it was an absolute pleasure to have him.

Narrating his story is film actor Paul Cram. Paul mostly does indie films, but he’s had speaking roles with actors such as Cilian Murphy (The Dark Knight, 28 Days Later) Woody Harrelson (True Detective) Judy Greer (Jurassic Park) and others. We’re VERY proud to have him join StarShipSofa and narrate this story. Make sure you check out his IMDB profile here. And make sure you look out for some of his films, too.

You can find Bruce Sterling’s episode here.

And we’ve also had the mighty privilege of playing a story by Christopher Priest. He wasn’t that popular in the US. At least not until one of his novels was turned into a the film The Prestige by director Christopher Nolan of The Dark Knight, Inception and Interstellar variety. You’ve almost certainly seen it:

 

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David Bowie acted in this film as well, so we’re very proud to be associated with the project. Priest himself is a masterclass, as the story demonstrates. His best work is The Inverted World, which you have to read. I won’t say much more than that.

I’ve been very proud to have worked on these two episodes and the fine gentlemen who exhibit actual skill in narrating, acting and writing. Make sure to grab the Christopher Priest episode here if you can.

…and that’s all for now.

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Forging ahead and looking back: it’s important

With one’s writing career – and artistic careers in general, I think, there’s a tendency to think about what we haven’t yet accomplished, as opposed to what we have accomplished. Film directors, musicians, script writers and video game designs are all privy to this pothole, but in my case writers especially.

You don’t look back on your sales and your publications that you’ve already earned, you dwell on how much you want to release this story, or finish that next project that just isn’t working out, or sell a proposal that no one’s buying. It happens to all of us. Just recently, David Fincher had Utopia cancelled at HBO. A Oscar-winning director who’s bought us Se7en, Fight Club, Gone Girl, The Social Network, and others, but now he’s had years of work flushed down the toilet. Ouch.

I’m not on Mr. Flincher’s playing field (in case you all weren’t aware of that already), but the same rules apply to everyone. We tend not to focus on what we have already accomplished.

As some of you good good people may know, I’m out o’ town for a holiday. Right of this moment I’m in a little Polish town somewhere outside of Wroclaw. Ensue many Anglos with tongues in knots after attempting to pronounce that correctly. I was here exactly two years ago. I was writing writing away, sending out over a dozen stories to all manner of venues, hoping to land a sale in some department. I was banging my head against the wall because no one was buying a damn word I wrote. Not a single one. Nada.

Sentences like will I ever sell anything and is my career over before it starts kept tumbling through my head. But sitting in this tiny room I kept conjuring up monsters and fantasy landscapes and rain-drenched cities. I kept plugging away without knowing if I’d ever make a sale.

Two years later and here I am. I’ve sold so many stories and articles I’ve lost count (I think the count is close to fifty now). I’ve sold to Nature twice, Strange Horizons six times, and scooped up a Finalist position at Writers of the Future. I’ve had an essay published in one of Lightspeed’s Destroy anthologies. I’ve had the opportunity to produce audio fiction by George R. R. Martin, William Gibson, Kim Stanley Robinson and Robin Hobb for a Hugo-winning podcast that I co-edit. And right now I’m working on a story for my first every fiction solicitation to an anthology that pays pro-rates.

I’ve done all that in two years at the starting age of 18.

It’s not meant as a boast (well, perhaps a little), but it’s more of a look at how much can be done in less than two years of writing.

And yet.

And yet…

I ask myself why I haven’t placed in Writers of the Future. Why I don’t have a pro sale that isn’t flash. Why I haven’t sold to F&SF, Asimovs or Analog yet. Why I don’t have an anthology sale. Why I haven’t appeared in the Best of Years. Why I don’t have an agent. Why I don’t have a book deal. Why I don’t….

Stop.

It can cave your head in just about the whys and how comes that inevitably crop up. I know people who have sold to venues I can only dream about, but then reach for another magazine only to fail. I’m very, very fortunate to be in the position where I am now. Pierce Brown wrote one novel a year for seven years before Red Rising sold. Brandon Sanderson wrote thirteen. I know someone who’s written fourteen novels and had none of them picked up. And I’m sure it’s taken others far longer with many more books.

I cannot even imagine what it would be like, collecting rejections for your tenth novel and wondering if you’d ever have a single word of your fiction published. I’m sitting here with multiple sales to Nature (published by Macmillan) and something inside me cracks whenever I see the latest book launches and wonder how long it’ll take before I get there myself. Thank you very much, brain.

So this is a message to anyone who’s struggling (including myself) that it’s healthy to look back from time to time and see how far you’ve come. Hell, most people don’t even finish a novel, let alone a story. Look at your virtual (or physical) shelf and see your accomplishments.

Two years ago in this very room I didn’t have a single one under my belt. And in two years time when I come to Europe again I want to look back on this blog post and realise how much I’ve achieved since. In the next two years I’m going to get that literary agent, that book deal, that Best of Years publication.

And the two years after that…who knows? Fincher directing a film adaptation of my novel would be nice (ain’t ever gonna happen, though).

Until then I’m going to keep forging ahead, but I’m also going to look back. If you’re struggling, maybe you should do the same. It’s a long long road and there ain’t many pit-stops along the way. Well done on getting this far.

But never stop walking.

 

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2015: A year in review

Wait, what just flew by me?

Oh wait, that was 2015. Well, that went pretty quick didn’t it?

Looks like I’m going to have to do another one of these.

A lot of stuff happened in 2015. But to get it out of the way, I finished university. This one isa big of a mixed bag. I enjoyed my studies there and the numerous ways in which we were taught to approach subjects like criticism, deduction and scientific research. I loved meeting up with my friends everyday and making plans to do something weird.

One of the weirdest (that I can actually mention here) was in our film class, where we were set to watch the film Taxi Driver. We were ravenous, so we did what one naturally does and trooped along to Subway and ordered two entire cookie platters. Because reasons. Obviously we couldn’t finish it. So we took it into the film threatre and passed it around in the dark. It one point I believe someone started using it as a frisbee, scattering cookies and crumbs over us while Robert De Niro coasts around NYC with a bad haircut and sub nose revolver. Again, not mind-blowing stuff, but that’s all your getting from me. Other less interesting stuff was when a moron posted on 4chan that he would shoot up the university for kicks. Obviously nothing happened, but we could have done without the scare.

So yes, I had a good time there. But it was time to leave. Some classes were nothing more than pointless filler, or in some cases based on the teacher’s agenda – something that went to higher authorities more than one. Other times I just did not feel I was being taught anything practical, especially in creating writing. Some classes were incredible, others less so. There’s only so long you can take people seriously when you’re sitting in a lecture hall listening to someone ramble on about document/collage poetry when you’re signing contracts for Nature and Macmillan to purchase your work.

But I digress. Essentially: university was good and I enjoyed it in many ways, but it was holding me back in many ways as well. Time to move on.

For my own writing, I sold eight pieces of original fiction, all of which were semipro or higher and two of which were to Nature/Macmillan. I still pinch myself when I see the Macmillan publishers logo stamped beneath my stories. One of them, Daega’s Test, is currently being translated into Polish by Szortal. I also managed to reach the position of Finalist in the prestigious Writers of the Future contest Q3. I did not make the top three, but I will know within a week or two if I am the Published Finalist. Here’s hoping.

I also sold 13 reviews and essays, 4 of which have not yet been written as of yet, but are secured. 3 of them are to Strange Horizons, which is awesome. They published my review of Predestination back in January and I am still immensely grateful. And currently I am writing the official review for Star Wars: The Force Awakens for them. Not feeling the pressure at all.

The other significant essay was to legendary John Joseph Adams over at Lightspeed slash Nightmare. I’m going to be part of the People of Colour Destory Science-Fiction anthology, launching in June 2016 in paperback. It was a difficult essay to write and while I’ve never been one to shy away from speaking my mind, I had to dredge up some old childhood memories that I’d rather not talk about too often. But it was important and relevant and I decided to do it, and I’m going to be proud of it when the anthology launches with over 100+ other authors. I’m excited to see the line-up, very much so, but I’m even more excited to finally sell to John Joseph Adams and be published in Lightspeed, something I’ve been trying to do for 2 years now, which is 1/10 of my life.

I sent my YA SF novel out to do the rounds. It got an overwhelmingly good response. I think I scooped up around 14 fulls and 12 partials from major, major agents. I got essay-long rejection letters from some the most highly respected agents in NYC. But no, it’s a pass. I was guttered at first and beat myself up about it. But I told myself to shut up, learn from my mistakes and come back with a better novel.

And that’s exactly what I’m doing. I’m 65k into it now, and I’ve got the end in sight. The bones for my next project are slowly brewing, and it’s one I’m really excited about. And that’s primarily what I’m planning to do: focus on writing those novels first and foremost. I will always write short stories, always. But I came into this industry to be a novelist, to have an agent and to be sitting on those shiny shelves in those shiny bookstores. And that’s something you earn. And to do that, you need actual novels. I’m planning to sit down and outline my next novel and then go, full speed ahead. No side-stepping, no distractions, nothing. Hopefully when two months have passed I’ll have a novel. This last one took a whole year (and it’s not finished yet) because of university. I’m not letting that stop me again.

Now. To StarShipSofa.

We had an incredible year at the District of Wonders. SSS and Tales to Terrify alone managed to get over one million downloads. One million. And I worked on every single one of them.

I had the opportunity to work with and produce fiction by authors such as George R. R. Martin, William Gibson, Kim Stanley Robinson, Allen Steele, Robin Hobb, and dozens of others people who are gods in the literary world (if you told me two years ago that one day I would produce audio fiction by the creator of Game of Thrones I’d have laughed in your face). I was able to interview Ellen Datlow, Joe Abercrombie, and a whole range of other editors and publishers. I read hundreds of stories in the slush and picked out and produced audio adaptations of the ones I thought were truly the best. And it was truly an honour and a privilege to helm one of the biggest SF podcasts in the galaxy. And I will continue to be doing it for a long, long time to come.

We will be making changes over at District of Wonders. We’ve acquired two new staff members for SSS, including my intern and assistant Ralph Ambrose (who is incredible – I’d be dead in the water without him). We’ll be uping our game. More narrators, more diversity in narrators, more content, more cool features, more special issues. We’ve already got one narrator locked in who’s acted in major films opposite the likes of Ellen Page, Woody Harrellson, Cilian Murphy and others. We’ve lined up an incredible story by a major author who’s had a film adaptation by one of the most respected director’s today. We’ve got…okay, okay, I’ll stop. All I’ll say is: District of Wonders is upping their game and working much, much more closely together. Expect amazing things in 2016.

Well, that’s it. It’s been a gigantic year for me, both as a writer and an individual. I don’t know what’ll happen next year (which starts in an hour’s time for me), but all I know is that I’ve got my sights set on writing a killer novel that’ll snap up an agent. It’s something I have to earn, and I’m willing to do just that. Failing that, I want to win Writers of the Future, something I consider to be likely in the very near future. But it’s impossible to tell.

I’m going to sign off, but first let me say to the hundreds and hundreds of authors, narrators, publishers, actors, writers, editors, friends and fans I’ve met in 2015, it’s been an honour to know and have worked with you in 2015. Truly, it has. And hopefully I’ll continue to do that in 2016. And maybe, I just might meet you in person.

But that’s another story.

Signing off,

Jeremy Szal

 

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