New Fiction and reprints and stuff

If you’re one of those poor sods who follows my social media you’ll know that almost for the past two months I’ve overseas in Europe. It was a good trip, visited almost a dozen countries and got to see a lot of old friends. But that also means there’s little time to write, let alone blog. And while I’ve been away I’ve had a number of goodies released online or purchased. I’ll link ’em up here.

 

First is my latest piece from Nature, Walls of Nigeria. A body horror story set in a future West Africa, with alien biotech and armored suits a la Halo/Crysis.I’ve been wanting to write this sort of story for a long, long time now but never had the guts. But I decided to hell with it and wrote it. The word-choice and worldbuilding is so strong in this story that it needed a lot of editing to truly knock it into the shape it needed to be in. But so far it’s been getting incredible feedback from everyone’s who read it (including some bloke on twitter who said it was Nature’s best piece. Which is…wow) and I’m very, very happy with it and the ending. Do check it out. And it’s also got one of the best/creepiest pieces of artwork I’ve gotten for my fiction (although the armor’s about a century or three behind what I imagined it’d be, I’ll take it).

 

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The second the audio release of my nihilistic faux-Lovecraft/secondary world fantasy “Last Age of Kings” over at Far Fetched Fables. I don’t usually listen or like audio adaptations of my work, but Mark Kilfoil absolutely kills the narration and I listened to the whole thing twice. Even though I wrote it nearly two years ago it still seems fresh – all thanks to Mark, of course.

You may listen here.

 

The third is a mouthful: my short story, “The Galaxy’s Cube” has been killing it as far as reprints ago. It’s picked up an audio adaptation over at The Overcast by the lovely lovely J. S. Arquin who does a great job of wrapping his tongue around the tricky Thai names and phrases – very happy here. Check it out here.

It’s also been picked up to be in the hardcover anthology Dystopia Utopia by Flame Tree Press. This one is special because not only did I get pro rates for a reprint, the books are widely available in quite a few bookstores. Flame Tree have gotten their name around and I’ve seen their anthologies in bookstore chains and even in those tiny portable bookstores you see in Westfields. And this down here in Australia. A country that never gets anything. I’m told they’re in UK stores, too, although uncertain in the American front. I’ve already spoken to my local bookstores who’ve carried previous Flame Tree anthos and they’ve agreed to order it in and actually asked me to pop in and scribble a signature in ’em. This is a sale that could rival the one I made to China (for the same story, no less).

Anyway, you can pick up a copy on Book depository, which ships internationally for free. Come on, you know you want a copy.

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It’s it for now. I’m still editing my novel, and there are some other sales I can’t yet discuss (both originals and reprints) but all in good time. Otherwise, onwards and upwards.

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Words and words and words, starting a new project

For those of you who’ve been following my tweets recently, I’m neck deep in a new project. Not a new short story, a new novel. I finished my YA epic Slavic fantasy about a month back. I took a short break before thinking about what I was going to do next. I didn’t want to jump into edits straight away – me and my YA fantasy didn’t have a very good relationship in the last third of the book. We needed, need, time away from each other. In a couple of months I’ll come back and start hacking away at it with an axe.

But until then I needed something else. I’ve had this idea boiling in the basement of my skull for quite some time, but didn’t have the backstory to support it. I took a few days to flesh it out, do some outlining, then threw myself into writing. No side projects, no short stories, no editing. Nothing. Just words words words.

I stated that book two and a half weeks ago, about 18 days. Right now it’s sitting at 19,000 words. That’s my part time job at the moment. Butt in chair, pouring my mind on the keyboard and screen. No inspiration quotes, no #amwriting hashtags on twitter, no in-the-zone yoga mind experiments.

Just black words on white paper.

My minimum target is 1,000 words per day, not including plot outlining, world-building, and running off to jot down some cool idea. And so far I’m not doing too badly. I know where my characters are going, where they’ve come from, and (most) of the world around them. I can’t say much about the project, but it’s a space opera crossed with a murder mystery. It’s not YA either, my first adult book since my first rubbish attempt at writing a SF/F when I was in highschool.

I’m not thinking about how to sell it, how to pitch it, if the current market is good for it, nothing. I’m just having fun and getting that work down. It’s hard sometimes, and I hate every sodding word on the sodding page, but I’m doing it. It’s going to be one ugly half-breed when it’s done (coming from a half-breed), but it’ll be done.

One of the worst things I ever did was let my YA fantasy sit and rot for whole months at a time over a stretch of one year and three months while I was finishing university. It grew old and stale, and even now it’s in desperate need of a scrub up and tweaking. So I’m not making that mistake here. I’m living and breathing this world and this world alone, and it’s pouring out of me fast.

By this time next week I hope to be at 26,000 words, perhaps a little more. By the time this is over my fingers are going to be worn down to the bone and my brain having gone through a deep fat fryer, but no one said this job was meant to be easy.

‘Until then….

Interview over at SF Signal

It’s been a busy week, I’ll tell you that much. I’ve reached 9.6k for my new space opera novel. That’s roughly 1k a day, and will be more if I manage to reach 11k by the end of today. But I want to take the time today to really cement the fundamentals of the world in my head and have that high-concept, ultra-epic coolness that helps the universe stand out from the rest. I’ve literally got a note stapled above my screen that reads “up the weird, add the cool, mix it up”. And that I will do!

But in the meantime I also managed I do an interview over at SF Signal, talking about me, my writing process, my job as an editor, how I managed to get onboard as an editor for a Hugo-winning podcast at the age of 19, etc. If you ever had a burning sensation to know what it was like working with William Gibson, Christopher Priest, Robin Hobb, and George R. R. Martin while Season 5 of Game of Thrones was airing, you can settle that satisfaction right now! It was almost surreal, typing that all up and realising just what we managed to achieve.

Anyway, the interview is here if you want to check it out. Enjoy!