Wolfskin, the third and final book in the Common Saga, has been published. The trilogy that I started work on nine years ago, is complete.
This is an epic moment. A time of triumph and joy and celebration. A major milestone for this series and for me as a writer.
And yet, right now, Iām also very overwhelmed and tired.
Release weeks are usually monumental events. There’s interviews and podcasts and guest blog posts and social media posts and every other kind of posts and events and marketing and publicity and all the rest of it. I could do that here, sure. I could tell you how good the book is and why you should buy it immediately.
Instead, I want to do a little bit of introspection.
It was 2015. I was 20 years old. Brash, hot-headed, hyperactive. Iād written a sci-fi novel that had been widely rejected by almost every major agent in the business. One of those rejections arrived in my inbox mere hours before me and my family flew to the USA for a holiday.
I spent the entire flight, and part of my trip, ruminating on my failure. Wondering what Iād done wrong. How Iād screwed up. How Iād missed my chance.
And how I would likely never, ever fulfill my dream of being a published author.
I was devastated.
But Iām stubborn. I didnāt quit.
And then, on one sweltering day in December 2016, I sat down to write chapter one, page one of what would become Stormblood.
Never in my wildest imagination did I think I would end up where I am today. That not only would I sell a book, I would sell three of them.
Iād publish a trilogy and would reach tens of thousands of people around the world.
Iād fulfill my dream of becoming a traditionally published author.
After a while, the work that you’ve put into your passions can fade into the background. before can fade into the distance.
You forget just how much effort and sweat and blood and tears went into the thing that you were put in, the emotional labour involved.
The hard nights, the loose plot threads, the uncertainty. The mountain, looming ahead, taunting you.
As some of you know, that did not go away when I sold these books. If anything, it increased.
Still, now that I have reached this high point, I like to remind myself where I came from. The place where I once was. How long and arduous this climb has been.
And how damn proud that 20-year-old kid, thinking that his dream of publishing a novel had been dashed forever, would be if he could see me now.
Especially because itās these books that Iāve called my first series. I do believe that they are miles better than anything I was capable of writing or even envisioning myself writing when I first started them.
Wolfskin especially. It is the best book in the series by far. Everything from the aesthetic and set-pieces to the character work and even the prose, is firing on all cylinders. I edited it within an inch of its life (and my own) to make it so.
And so far, people have been agreeing.
The emails, Instagram photos, tweets, interviews, podcasts and responses Iāve had with this launch have been . . . a lot. Something about this launch feels different.
Like Iāve actually gained some traction.
Like, for the first time, my series could be a true part of SFF consciousness. I donāt know. Early days.
All I know is that the days and weeks surrounding a bookās launch are some of the most important of its life. Especially now, as Wolfskin is the final title.
If you do want to support the book and the series further: Please talk about it.
Tell your friends. Your colleagues. Ask librarians to order it. Post on forums about it. Post pictures of it (and feel free to tag me in them), whether theyāre your purchases or when you spot them in bookstores.
And if youāre inclined, please review them. Even a star rating on Amazon goes a long way.
It means the world to me.
This is not the last word on the Common, but it is last on Vakovās story. Iām off to new horizons. But before I do that, I want to sit on this mountain ledge and feel the wind in my ears and see just how far Iāve come.
And, of course, I want you all to enjoy the final chapter in this trilogy that has taken most of my 20s to complete.
And so, thank you. Thank you for cheering me on and making this climb with me.
To celebrate the release of Wolfskin, I’m going to be doing an AMA – where anyone can come along and ask me any questions they like – on the r/scifi subreddit. The time we have scheduled is 10:00 AM AEDT / 6:00 PM CDT, on the 27th of March, 2026. My username is JeremySzal (a bit of a giveaway, I suppose!), and I’ll likely be posting information about it here when it goes live.
Early review copies of Wolfskin are now available on NetGalley!
For the uninitiated, NetGalley is a sort of preview screening for reviewers, tastemakers, critics, book bloggers, et cetera. It’s used to build hype, give books exposure, and provide a sneak preview of new titles.
So if you do want to be able to get a copy of Wolfskin and be involved in the launch, you need only go and request a copy. It is, of course, totally free.
My publisher has also put the entire series up on NetGalley, so if you haven’t checked the books out yet (heresy! Heresy, I say!), you can request a copy of those as well.
I am not in charge of deciding who gets a copy, alas. So it is in the hands of the publishing gods whether or not this gift is bestowed upon you.
There’s always a bit of anxiety, releasing a new book out into the world. But it is also a huge relief and thrill, too. I know the book is good; I worked my arse off on it, and I cannot wait to see the reactions of readers.
And because I am such a tease, here’s one of my favourite quotes from the book:
“I would die for my friends. But I would rather kill for them.”
The first person to actually guess which character is saying that line gets a free digital copy of Broken Stars. Hint: it’s not Vakov!
(Also, if you’ve actually read the book already, it doesn’t count!)
That’s all from me today. Lots to do, and lot of cool stuff in the works. Go forth and put in your request, and I hope you get a copy!
Like most years, it certainly has had itās ups and downs. The good and the bad and the goddamn ugly. Iām going to try and not focus on the latter two, because thereās enough of that in the world, but some of it will be mentioned.
So letās get the bad and ugly over with:
As I mentioned a few newsletters ago, I have chronic pain from my nailgun wound, and combating it, doctor and clinic visits to fix it, is a daily struggle. I am hoping that 2026 will be the year that I kick it down for good, but you never know.
There is also the shooting/terrorist incident that occurred at Bondi Beach, less than 10 minutes from where I live, becoming the deadliest shooting in Australia since Port Arthur 30 years ago.
I have zero desire to sensationalize or monetize an act of such horror, or honour those who perpetuated it by naming them. I am mentioning it because I had at least five groups of family/friends/acquaintances who were there at the time – and there was a point where we didnāt know where everyone was – so itās something that has affected me deeply. We are all okay, though. Thank you to everyone who wrote in to ask.
Now that unpleasant topic is over with, letās move onto the good stuff.
Writing:
The first half of 2025 was spent working on various projects. I donāt want to talk about them in any great detail, because I feel like books should remain the authorās personal project until a first draft is down, or until itās truly ready to be sent out. A lesson I had to learn the hard way.
Still, I will reveal there have been two major novels in the works, both very different beasts Note that these are not actually the titles, but only placeholders!
The first is what I will call Rage. Itās the thing Iām most interested in traditionally publishing next. Itās similar to what Iāve done before, but also not. Much more epic and widescreen. Prose thatās much more lyrical, theatrical, less rough and jagged.
I have a first draft down, but Iām looking at some major (and I do mean major) revisions before I start sending it out.
The second project is what Iāll call Redemption. Very, very different to my other work. It has a female protagonist, and is very much high fantasy, but thatās all Iāll say. It does have a romance element to it, like all my books have, but it is not romantasy.
Thatās all I can say about them in any detail for now. Iāll continue to work on them into the new year, with the aims of having one, or both, on submission to publishers, where they will solicit shocked gasps of shock, amazement, shock, wonder and delight. Probably.
The latter half of the year was spent working on Wolfskin. The book clocks in at a hefty 197k (!!!), 9k longer than Blindspace and 42k longer than Stormblood. The original draft was. . . a great deal longer, and after it had been cut down, a lot of refining was required to truly make the book shine.
I do it for you, dear readers!
I actually put the finishing editorial touches on the book when I was in Tokyo and Sapporo a couple of months back. I love the idea of working on a piece of art in multiple locations, because it means you get to take a bit of that place with you.
Of course, the work is only truly complete when the proofs are finished, and I completed those the other day. While I am genuinely sad to see it go, I am very relieved that it is out of my hands and will soon be out in the world.
Publishing:
I had zero publications in 2025 – besides two stories that got translated into German and Estonian – but no new material. But that will change shortly, becauseā¦
Upcoming Publications:
Wolfskin will be coming out!
The final book in the Common Saga will be dropping on March 4 (all the best people pre-order books, so get those orders in!). This will make it four years and three months since the last installment, Blindspace, was published, although I did self-publish Scream in Blue in 2022, and my collection Broken Stars in 2024, so I suppose it hasnāt really been that long since Iāve had a release.
Wolfskin would have come out much sooner, even in mid-2025, but thatās up to the publisher, not me, and the decisions of the market can be obfuscating and baffling, to say the least. I can only control the writing and the delivery.
Of course, what matters is that the book itself is good. And, in my humble and totally unbiased opinion, Wolfskin is a damn good book. I expect it will garner some . . . strong reactions when it releases. Perhaps even some tears.
I would be lying if I said I didnāt shed a tears myself, when finishing off this book. Especially in the final chapter. But thatās a good thing ā if it doesnāt move me, I cannot expect it to move anyone else.
Besides, I started writing Stormblood nine years ago, when I was only twenty-three years old. These books have stretched across a third of my life, and so they will always be a part of me. Writing them was not always easy, as you lot all know, but itās a story I needed to tell, and Iām incredibly proud of what Iām managed to achieve with them.
I expect to be doing a slew of signings, events, and interviews, once the release date slides closer into view. More news when I have it.
In the Works:
This is going to sound frustratingly coy, but thereās a few exciting things coming up that I cannot talk about yet. Does this pertain to special hardback editions? Adaptations? Translations?
Iād love to tell you . . . but the Powers That Be would be very unhappy. Two of these exciting things have been confirmed, however, and I hope to announce them soon. Ooh, the suspense is killing me!
Conventions:
Iāve been lucky enough to attend three Worldcons in a row; Chengdu in 2023, Glasgow in 2024, and Seattle in 2025. All were excellent, for very different reasons, and no event I do is ever going to top being flown out to China by my Chinese publisher, but Seattle was a blast.
It was my first American con, first time seeing my books in a US bookstore. It was a joy and a pleasure, thanks to the wonderful cadre of people who made my time there special.
Iāll let the pictures do the talking.
The Barnes and Nobles signing!
Pictured: Evan Leikam, Jeremy Szal, Ryan Cahill, M.J. Kuhn, Shauna Lawless, Michael Michel, Zac Argyle, Andy Peloquin,
Pictured: way too many to name.
I left a trail of signed copies everywhere I went, so if you ask Barnes and Nobles Northgate or Bellevue, Arundel Books or Elliott Bay Book Company, they should still have copies left. Good if youāre in the States and want a defaced copy of one of my books, because due to the recent announcement about the mandatory submission of fingerprints and social media for travellers entering the US, I donāt know if Iāll be heading over there again in a hurry.
Like in 2023, Adrian Tchaikovsky gave me the honour of being his acceptor at the Hugo Awards, for Best Series and Best Novel (he did not win, but even being nominated is cool). That meant dressing up in formal wear, attending the Hugo gala, the pre-show and the after party.
Oh, and taking photos with all of your (his!) fellow nominees in the category.
Pictured: (L to R) Seanan McGuire, Rebecca Roanhorse, Jeremy Szal, and the little-known, up and coming author Brandon Sanderson.
I continue to sneak a day or two of learning Japanese when I can. Itās not easy. For English speakers, Japanese may be the most difficult language to learn. Iām not kidding.
But Iāve never let a little thing like that stop me, and I continue to go through the motions. Iām good enough that I can say pretty much anything basic, and Iāll understand most casual conversations (depending on the speed). I donāt use English when I travel to Japan, and Iām hoping to reach fluency within the next two years.
Best of 2025:
Because no yearly wrap up is complete without one of these, hereās the various bits of media that I enjoyed the most in 2025. As ever, Iāll try to stick with the good rather than the bad, especially in the book category, considering my profession.
Music:
I was lucky enough to attend three kickass concerts this year: Sigur Ros, Metallica, and Oasis. Iāve got pretty broad tastes. Sigur Ros was heavenly, Metallica was epic, but Oasis was otherworldly. The concert vibes were immaculate, the brothers performed at their peak, and hearing Champagne Supernova live made my soul transcend to another realm. All was good.
As you were.
Film:
One Battle After Another. A powerhouse of a film. A near-perfect bouquet of tension, character drama, humour and action, with some truly piercing commentary on top. This is PTAās best film, and I hope itās the one that gives him the recognition he so richly deserves.
The Long Walk. This one hurt. I read the novel, so I knew what I was getting into, but I wasnāt prepared for how gruelling and emotional it ended up being. Distressing film making at itās finest. And, it must be said, it had some real solid pacing. I will see myself out.
Weapons. Itās impossible to discuss this without spoiling the experience. Just see it. With a packed audience.
Sinners: A Southern gothic vampire, horror-musical, action film. Only a madman or a genius can pull something like that off, and thankfully Ryan Coogler is both. Itās the sort of film you have to see to believe.
Mickey 17: I donāt think I loved this one as much as Bong Joon Hoās previous offering: Parasite, but I donāt think we were meant to. Itās great to see directors of his calibre taking a dip in interstellar science-fiction, and I think he did a stand up job of bringing Edwardās book to the big screen.
Mad Max: Furiosa: I loved this one. Itās definitely more vile and nasty than the crowd-pleasing Fury Road, and this time you get a true sense of how dementedly unpleasant life is in the wasteland, at all times, for everyone. Still, Iām hardly one to shy away from the darker side of spec-fic, so I had a great time here. Plus, as an Australian, Iām obliged to sing its praises.
TV:
Andor, Season 2: Goddamn. This show, in itās entirety, is on par with the original Star Wars trilogy. Blasphemous, perhaps, but I stand by it. Andor is one of the greatest TV shows of all time and it must be seen to be believed.
Daredevil: Born Again: Felt like the original season of Daredevil was back in itās gory glory. There were some . . . interesting creative choices made, but the tension, storytelling, character work and brutally fun fight scenes are back in full force, and I canāt wait to see how things unfold.
Severance, Season 2: The pacing here unfolds at a glacial pace, but it hardly takes two episodes before that glacier becomes an embodiment of pure dread and isolation, striking with surgical precision. Worth a watch for the final episode alone.
Games:
Black WuKong: Chinaās answer to Dark Souls, with the rich texture of local mythology.
Hollow Knight: Silksong: Profoundly entertaining. Iām delighted to see a small Australian studio make its place on the world stage, gaming wise, especially when it deserves it. And this one does.
Baldurās Gate 3: Yes, I know it came out in 2024. But Iām just starting to dig my teeth into it now. And what a feast it is. Itās hard to fathom the amount of painstaking effort that went into the writing and designing of this narrative. Ooh, just talking about it makes me want to do another playthrough!
Books:
The Devils by Joe Abercrombie. I technically read this one in 2024, since I blurbed the book (mic-drop), but itās a 2025 release. I adored this one. Structurally, itās very different from Joeās usual fare, but the pages flow by and the story fires on all cylinders. Thereās a single scene in here (youāll know the one) that contains what is possibly my favourite character-introduction scene of all time. Itās that good.
The Bone Raiders by Jackson Ford. Loved this. A Mongolian-inspired fantasy, worked in with Jacksonās usual irreverent humour and sass. The combination shouldnāt work, but in his hands, it does. Gloriously.
Casthen Gain, by Essa Hassen: A feisty little novella that is both taut and deeply rich. No one does weird, alien, mind-bending space opera like Essa does, and this one ticked several boxes for me.
Anji Kills a King by Evan Liekam: A stellar debut. I saw the ending coming, but perhaps that only made it hurt even more.
The Strength of the Few by James Islington: A monumental, monster of a book, that still maintains its tension and emotion throughout. I havenāt finished it yet (no spoilers!), but I am loving/dreading where it is headed.
Thatās all from me, folks. Thanks so much for letting me barge into your inboxes each week, and thank you for reading my work. I appreciate you all a lot. Yes, even you.
Have a wonderful holiday, drink tons of expensive booze, eat way too much good food, and have an awesome time, and Iāll see you in early to mid January. Best, Jeremy
So. After about three thousand years, the Wolfskin finally has an official release date:
March 3, 2026.
And yes, it is available for pre-order.
(The copy description has massive spoilers in it, so unless youāve finished Blindspace, I do not recommend reading it!)
I do not exaggerate when I say that Wolfskin is the best thing Iāve ever written. The character arcs, the storylines, the set-pieces, even the prose, just works. Never before have I written something so epic, so brutal, so heart-wrenching. It is, in my humble and totally unbiased opinion, a damn good book.
Yes, itās taken a long time to come out. But thatās given me the time to make sure that what Iāve put down is my absolute best, and my exact vision for the story. Again, it is my best book.
However, because of various reasons, including things that are totally beyond my control, my career is not the best place at the moment. Wolfskin is still coming out, but after that? I donāt know. Things are unclear. Iāve suffered a lot of sleepless nights because of it, and there have been days where Iāve contemplated giving up this gig for good.
Iām not giving up. But that also means that I cannot afford to hold back, either.
So. I am going to ask you all to please pre-order Wolfskin.
Pre-orders are disproportionately helpful for authors. It helps the book trade to gauge the interest on a book, or a series. The more pre-orders there are, the more copies get printed. The more copies get printed, the more the publisher has to work to sell said copies, and the greater likelihood of those copies selling.
I kinda hate that I have to weigh all these things up instead of, you know, writing. But thatās the business weāre in.
So, any and all pre-orders and support is much, much appreciated.
If you cannot pre-order it, then thereās a lot of other things you can do for Wolfskin and for the Common series. You can buy them. Ask your local library to purchase them. Tell others about them. Review them on Amazon and Goodreads. Sacrifice goats on an altar of black stone in their name.
Not sure about the last one, but you can always give it a go.
If you are a reviewer with a blog/review channel/BookTube/Instagram account, please get in touch with me and Iāll get my publisher to send out a review copy to you.
Itās been a hell of a long journey, for me and Vakov both. But weāre nearly at the end of his story. I hope that youāll all stand by my side and see it through to the end.
So, for the first time, I’m giving away my novella “Scream in Blue” for free on Amazon for the next five days.
Which means it is about as cheap as it’s ever gonna be.
So if you like morally-grey heroes, gothic-cyberpunk and alien drugs (who doesn’t?), you can get it forā¦.pretty much nothing!
The novella is set in the same world as the Common Saga (Stormblood, etc), but can be read as a standalone. So it’s a good entry point if you’re looking for a gateway drug.
2024 wasnāt the worst of years. Nor was it the best of years.
As many of you know, in late 2023 I impaled myself with a nailgun in my left hand, missing the bone by less than a millimeter. If it had connected, Iād have shattered the digit. It did not connect.
But that didnāt mean I got away scot free. Oh, no. The incident gave me complex pain regional syndrome, nerve damage and ulnar nerve damage, which led to a slew of pain management therapies, new medications, weekly doctor visits, constant appointments, required exercises, and dealing with the red tape of it all, which triggered further mental health issues and gave rise to other health issues that were simmering away beneath the surface.
I donāt like to talk about this much, because I live it every week, and I really donāt want to be one of those Professional Pain Sufferers, as my GP calls them, who can only talk about their own agonies. But itās safe to say that 2024 was a very stop-start year for me, and no one wants to spend the last year of their 20s dealing with a critical hand injury, not knowing how much longer itāll continue on for.
Iāve made no secret of the fact that Iāve been going through some rough patches, mentally, due to the stresses of publishing, and how the writing has suffered as a consequence. As you can imagine, the injury has not helped. I wasnāt able to publish Wolfskin in 2024 like I wanted, and so sometimes itās felt like publishing has been moving on without me, like Iāve fallen overboard on a ship and Iām stuck floating in the water, watching the ship move further away from me, leaving me behind until itās an inscrutable speck on the horizon.
To watch authors who debuted after you get proofs and cover art and special edition deals for their next series while youāre still stuck on the one feels extremely disheartening, especially when compounded with a whirlwind of other doubts and stresses (is anyone even reading my stuff? Does anyone care? Whatās the point of this?). Doubly so when all of your peers keep talking about how much fun writing is and how another day at the keyboard is another day doing the best job ever, and you feel like setting your computer and your face on fire. Thereās been times when Iāve seriously considered leaving publishing for good, unable to take the anxiety and pressure (and anger) that stems from the meatgrinder of the publishing industry and how it feels like it poisons the passion you have for your creative work.
This isnāt a āwoe is meā post. But I do believe in honesty, both on a professional and personal level, and this is the narrative Iām telling.
But I wonāt be quitting of course. Because Iām a writer. And this is what I do. And there isnāt a single person on earth or heaven thatāll stop me. (Where do you think Vakov gets his stubborn streak from?)
While those feelings have not always disappeared, 2024 has seen them become far less intense and overwhelming, especially towards the latter months. Things have been better. Much better. Sometimes, all you need to do is to take a step back, stay in the shade, reframe your thinking, and then step forward again. Attitude and positivity matters. A lot. Fighting off the Raging Demon Voices isnāt always easy, but the less space I give them, the smaller they get.
And because of all that, Iāve had a very, very productive year. Which brings us toā¦.
Publishing
The only project I published in 2024 was independently publishing Broken Stars in Nov 2024. All these stories were previously published except two, but I still consider the entire collection to be an original publication. Itās picked up some really solid reviews, and has been stocked in a few local bookstores and libraries, which always makes me happy.
Interestingly, releasing a new book means that your previous titles get a fresh wave of attention. I’ve had a few people say that they wanted to check out my traditionally published books because of Broken Stars being released. I mainly put Broken Stars out so I could keep my name in the spotlight between major releases, and to dust off some of my older works and give them a bit of new life, so Iām pleased to see that itās all going to plan.
The majority of my year has seen me work on a new project. I don’t want to say too much about it, only that it’s science-fantasy and is set some 20,000 years in the future. Itās somewhat similar to my other books, but itās also . . . not. Itās more epic. More poetic, grandiose. But fear not, itās still very much me, and Iām hoping that itāll be the next thing that I publish. Iāve got about 140,000 words down, not including material that I’ve already cut or reworked. I hoped to have it finished, by the end of this year, but Wolfskin edits have derailed those plans.
And because I don’t have enough on my plate, I’m working on another project. A secondary world fantasy with a female protagonist and some very nonhuman characters, on an epic quest. I wonāt say more than that.
As for Wolfskin, Iām doing another pass on it as we speak, with the goal of delivering it to my editor in January. Itās been interesting to see how I’ve evolved as a writer since I discovered this character and his voice all the way back in 2026, when I was only 22 years old. It’s been tempting to sometimes rewrite the odd paragraph or sentence to the way I would have written them now, but I’m making sure to hold true to my former self and to Vakov by keeping the voice consistent.
On this read, my goal is to fall in love with the book, to read it as a cohesive whole narrative. And so far, Iāve been really, really enjoying it. If youāll allow me to flex a little bit: the narrative beats are working, the character dynamics are solid, the emotional moments feel earned and hit like a sledgehammer, and the action scenes crackle off the page. Why, itās like someone wrote a book just for me!
Sure, itās my own damn book Iām banging on about. But after being stuck in a cycle of disliking my own work, seeing the worst of it in the worst light, Iād rather build up what I know to be my novelās strengths. Itās my baby, after all. And what a damn fine baby itās turning out to be!
Travelling:
I went overseas three times this year. I went to Japan twice, a place that is easily my favourite in the world, and I have plans to go again sometime next year.
I also went to Europe for Glasgow Worldcon, which was a fantastic and inspiring event. It was my first time in Europe with my books published, and I was able to do a lot of signings and events, and meet a lot of readers, including one reader who brought his copy of Stormblood all the way from Brazil for me to sign.
People are best part of any Worldcon and I was really fortunate enough to hang out with a bunch of friends I haven’t seen in years, people that Iāve only met online and completely new writers. It really felt like I was part of the publishing community, a professional author who was respected by his peers and that is always lovely feeling because this gig involves a lot of time spent locked away in a small room, hunched over a keyboard, and it’s only when someone tells you in person how much they loved your book, does it actually feel real. I also got to see copies of my book in bookstores in both Scotland and Denmark, which was incredibly cool.
I don’t know when my next Worldcon will be. But I will certainly be endeavouring to attend one, or at least another major publishing convention, in the near future.
Reading:
The amount of books I read went down considerably in 2024. Both on account of the injury and the fact that I was learning Japanese. Spoiler alert, it’s an incredibly crushingly difficult language to learn. Relative to English, the grammar and sentence structures are both backwards and let’s not even get started on the polite versus impolite forms, or three different alphabets (I loathe Kanji with the fury of a thousand suns). But being able to speak Japanese is also incredibly rewarding, especially when you go to Japan and you’re actually able to communicate with people and order food in a restaurant and understand a good percentage of what you hear. I am by no means fluent, but I’m slowly getting there. Hopefully.
But the books that I did read this year I really enjoyed. Hereās the best of them:
The Will of the Many, by James Islington
The Devils by Joe Abercrombie
Empire of the Vampire by Jay Kristoff
Demon in White by Christopher Ruocchio
Shards of Earth, by Adrian Tchaikovsky.
My goals is to read more in 2025. The size of my TBR is threatening to crush me, so Iām hoping to put a solid dent in it.
***
I want to close off my last post of the year by saying: thank you, dear reader.
For reading my books, for supporting me, and for letting me tell these wild, crazy stories. This is not an easy job, and there have been some very, very rough patches along the way. But I’m on the upswing and I do aim to be doing a lot of writing in the upcoming year and to be putting many, many books on the shelves in the coming few years.
The day has come. BROKEN STARS, my debut short story collection and my first real self-publishing endeavour is now live in the wild!
In this collection. you’ll find bounty hunters and warriors, killers and kings. Good people doing the wrong thing for the right reasons, and bad people who desperately want to be better. Human monsters and monsters with humanity.
16 reprinted stories, 2 originals, all in one collection for the first time. I’m immensely happy to have it out in the world, especially as I haven’t had a release in a few years.
If you’re interested in it (and since you’re subscribed to my newsletter I assume that you are!), here are the appropriate links to. If you do want a print copy, you can either grab it off Amazon, or you can buy it directly from my website OR you can buy it from my local SFF bookstore. These last two options will mean that I’ll get to sign in for you, and I know some of you like that.
More importantly, algorithms work in a book’s favour on it’s release, especially if it’s being purchased. In other words, if you are going to pick it up, now is the time to do so. (I hate saying this, but artists have to eat!)
This book is somewhat of an experiment, but I do see myself becoming more of a hybrid author in the future, especially if the collection does well.
I know that some of you are already reading and enjoying it, which is always great to know. Thank you very much for your continued support, and I hope you continue to enjoy the savage little worlds within.